February 2, 2012

Still from Going Through 2010, Eric Fleischauer

via i like this art

February 2, 2012

‘Perhaps future police actions will be announced by an EMP blast, to clear the twittering airspace. Rogue journalists load film cameras as occupiers brace for the assault. The policeman’s mic declares the assembly unlawful. The burst is ineffective. The net interprets a gap in coverage as censorship and rushes to fill it. New drones buzz into position and an enterprising trike journalist, sensing a chance for a payday careens through the police line in the hopes of catching something good.’

- The Freelance Panoptiswarm, Tim Maly

February 1, 2012

Leafing through (with patterned autocorrect over employee’s hand).

From various pages of Our Wonderful Progress by Trumbull White (1902).

via The Art of Google Books

“I examine bar codes, wondering what it would be like to have only laser sight. I stare at handwriting until the loops and whorls stop being words, syllables, and even letters, and become no more than manic pulses brain wave transformed into muscle twitch, traced in the seismograph of our ink-hemorrhaging prosthetic appendages. I gaze at my city streets, running my eyes over the scars on its knees, feeling a refracted rainbow of urban skin interring a personal history of human frailty. I have a polymorphously perverted sense of physical praxis with objects. It’s not that I’m more object-curious or infrastructurally dirty-minded than most; it’s just that once you start to think about what things are wearing underneath their exterior semiotic reality, it’s pretty hard to calm down. Thankfully, the city invites my oddly tactile greeting, smiling and warming to my touch.”

“How many appliances in your house have a digital chime? Can you tell them apart? What do you gain from recognizing the voice of your coffee grinder, your toaster oven, and your iron? What are they telling you that you could not have gleaned from the smell of ground coffee, fresh toast, or a burned shirt?

I would rather my appliances and infrastructure danced for no reason, other than they feel sexy. I want machines to make nerdy inside jokes into street art. I want the Internet of Things to turn Things into Graffiti Artists, Dancers, and Street Performers. An unpredictable sense of humor and a good story about a scar makes a body more sexy than an exposed sexual organ and a symbolic sheen of lipstick.”

- excerpts from City of QR Codes, Adam Rothstein

January 28, 2012

Form Studies (MakerBot), Marius Watz


I want a MakerBot so I can print out poems in 3D. Carry them in my pockets. Rearrange them. Work them like worry beads. Create a new rosary.

January 26, 2012

12 Jan, from a prepared Kodak DC215 1 megapixel digital camera, Phillip Stearns, Year of the Glitch

’56. What makes good glitch art good is that, amidst a seemingly endless flood of images, it maintains a sense of the wilderness within the computer.’ — Hugh S. Manon and Daniel Temkin, Notes on Glitch

January 24, 2012

A foggy night in Odessa, Ukraine, when a digital billboard crashed and displayed a floating error warning in the night sky, via Tom A.



“Like most DARPA-sponsored projects, the Nano Air Vehicle ($TBA) isn’t the easiest item to describe. Under development by AV, it’s designed to be used in urban surveillance and reconnaissance missions, mimicking the biology of a hummingbird to achieve impressive statistics such as a hover endurance of eight minutes with no external power source, the ability to fly indoors and out, transitioning easily between the two, the ability to be controlled using nothing but the live video stream from the aircraft, and the ability to fly in windy conditions.”

via The New Aesthetic


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